During a decade of sold-out shows—over 1,000 in a row before we went on TV—I had the rare opportunity to experiment, refine, and evolve a new kind of improv.

 

What emerged is a method rooted in emotional truth and believability.

 

Actors learn to fully project themselves into another person’s reality—inhabiting new circumstances, relationships, and emotional landscapes with depth and clarity. This method creates space for real feeling. It teaches actors to see and sense their imagined world, to know what they want from their scene partner, and to physically move through the space in pursuit of that emotional truth.

 

When this level of presence meets the structure of our improv games, the result is electric.

The comedy flows—not from gags or shtick—but from raw, believable human moments.

That’s where the deepest laughs live.